Tag Archives: contrast

Launch minus 3 – the saturated image market

The underwater photography market is saturated with images…how can our images stand out in this noise?  Reflections at 3 weeks to book launch

The underwater photography market is saturated with images…how can our images stand out in this noise?

The underwater photography market is saturated with images, which are now produced by the million every year.  There are lots of average pictures out there, but there is also an explosion of good images too.  How can our images stand out in this noise?

The book that I’m advocating has some answers. But I already anticipate a cry that the book market is equally saturated.  Or is it? Although I draw heavily on the existing body of knowledge, I seek to differentiate too, so the book “Winning Images” dives into some unexplored gaps in our knowledge of underwater photographic composition.

Our top-side photography cousins made more progress than divers with this.  We know the basics, I’m sure: negative space, the rule of thirds and so on, which are valid and worth developing.  But nobody has articulated 2 important things in its underwater context. Foremost is a detailed model for composition.  Not rules, but a structure for thinking more consistently about the issues. I’ve provided us with a starting point.  Next is consideration of the weight that we attribute to each of the different and sometimes competing composition concepts. The book deals with – and develops in detail – 8 concepts, but more critically an overarching theory of how they all fit together.

Although the independent first reviews of the book are not yet published, I do know that one notable critic already believes that this will become the bible for underwater photography composition.  So consider making a modest investment in something that I am confident will make you a better photographer.  Signed copies of the book for those who want it quickly are on sale now in the UK through this link.  But if you can wait, do join me and Alex Mustard at the book launch in London (details below); I extend an open invitation to everybody who is interested and will provide you with some wine, soft drinks, canapes and an opportunity to buy the book.

Wednesday 11 June 6:30pm at Ocean Leisure Cameras near Embankment Tube station. “Winning Images” book launch – additional details

all the best, my dear friends


Winning Images with Any Underwater Camera

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What really matters: contrast & balance

Bohar snappers, Egypt

Bohar snappers, Egypt

The research for my new book (publishing date May 2014) led me to one firm conclusion about composition, which is that two concepts dominate the theory: contrast & balance.  Contrast extends beyond the traditional well-known ideas of needing light against dark to perceive shapes, and of opposites in the colour spectrum to catch the eye.  For a start, colour unpacks into an incredibly diverse range of ideas, including psychological feelings, complementary and split-complementary matching, monochrome…the list goes on.  But what fascinates me is a third category of contrasts developed by a philosopher within one of the old European art schools.  We see these contrasts instinctively, but often sub-consciously and the list is as long as your imagination.  In the book, I will set out what I have learned about these myriad contrasts and how they apply to the underwater world.

Balance is an even bigger idea that revolves around the size, shape, weight, colour and implied movement of each graphic element in a photographic composition.  It is most easily described as a concept of visual weight and relative positioning, which I deduce to be fundamental building blocks for composition.  I’ll be explaining in the book how to grasp this idea easily and how to exploit it in underwater photography.

After a really interesting day yesterday that included a speaking slot at Dive Show 2013 and a few sessions on the British Society of Underwater Photographers stand, I woke up to a nice surprise that involves contrasts.  I tried a rather extreme (for me) experiment in August by turning a half-decent colour image of schooling bohar snappers into a monochrome image with very high contrast.  In post-production I turned the blue water almost to black and the grey snappers much nearer to white.  It was not entirely to my taste, but it just picked up a ribbon from the Photographic Society of America (one of 6 honourable mentions) in an international photographic art competition that attracted over 5000 entries from 62 countries.  This is far from the best image that I’ve ever made, but I’m heartily encouraged to keep experimenting!

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