Tag Archives: photography

Back to School

Of all the sites that I go to in Egypt, I would dive Shark & Yolanda another thousand times and never get bored of it.  I’ll let these images explain why:

There is just something about fish schools that draws photographers in like magnets.  It’s one of nature’s great spectacles and I always feel privileged to observe and try to capture the essence of schooling behaviour in a still image.  I recently started shooting video, but not as often as I should and not as well as I might.  A certain friend will beat me up for not remembering (in my huge excitement to swim with these schools and take the still images that come more instinctively) that my camera has a good video capability that could capture this unity of movement more easily.

One image that I liked was somewhere between order and chaos.  I had been with the barracuda school for almost 15 minutes and it accepted my presence so well that I could almost move inside it.  Apart from the immensely powerful experience of being that close to a big mass of fish, which move in unison without visible signal, I loved the images that transpired.  But they were challenging compositions: frame-fillers that had as much chaos as they did formal structure.  What do you think?

inside school (2)

Best wishes, dear friends

Paul

 

Share Button

where to invest that most precious resource: our time…

for future generations to see too...

for future generations to see too…

This Wednesday 11th June, with the help of Alex Mustard, Ocean Leisure Cameras and Dived Up publications, I will launch a book of which I am proud.  I hope that it will answer something about how we invest that most precious resource when we’re engaged in underwater photography: our time.

Winning Images with Any Underwater Camera” addresses photographic composition in depth.  The investment that you’re really making if you commit to a book like this is not money.  By any measure in the underwater photography world that you might use, a book is not expensive.  The biggest investment that we can make is setting aside time to learn something that might help us become better underwater photographers.

If you’re not already committed to joining us at Ocean Leisure Cameras this Wednesday at 6:30pm onwards, do consider buying a copy of the book.  I believe that it will push you – like me – a few steps further towards making images that might count.  Crucially for me, this means engaging those outside of our community who also need to see what the underwater world is about.  We can inspire those people with our images to support the policies that we more instinctively embrace: to protect the lakes, rivers & oceans that are home to those beautiful creatures that we all have the privilege to interact with.

As ever, my best wishes to you dear friends (and wish me luck too).

Paul

Share Button

gearing your photography for success

Reflections at 1 week to book launch

the technical & artistic path to winning images (there is a 3rd axis - drive & involvement)

the technical & artistic path to winning images (there is a 3rd axis – drive & involvement)

The book “Winning Images” makes an argument for 3 axes along which underwater photographers make progress, but that you have to make progress on all 3 if you are to create admired, stunning or (for a lucky but talented few), iconic images.

Axis 1 is technology and technique.  You can buy your way along the technology path, but even a modest compact camera is so powerful these days that we are all pretty well along that road.  Technique takes some training and practice.

Axis 2 is your personal drive and the degree to which you become immersed in the underwater photography world, be it in clubs, societies, competitions…the list is endless, really.  You need a will to succeed and the means to inspire and help you.  Friends really do help.  I was genuinely inspired when I first started underwater photography by people within the British Society of Underwater Photographers.  And I’ve made some wonderful new friends since.

Axis 3 is artistic vision.  Not everybody has it from scratch, but it can be taught and the basic building block is composition.  Unfortunately, many people wrongly suppress this axis to pursue technology.  Technology can help, but you can invest thousands of dollars, pounds or euros in it when by comparison only a very modest investment in deeper knowledge of composition could provide far greater gearing for your success.

That’s my argument and I believe it passionately.  If you agree, consider buying “Winning Images with Any Underwater Camera”, which is the first book for underwater photographers that seriously addresses some searching questions that we all need to answer about composition – if we really are determined to produce better images.

If you can, do join me and Alex Mustard at the book launch in London (details below); I extend an open invitation to everybody who is interested in taking composition to the next level of understanding and I will provide you with some wine, soft drinks, canapes, a few words from me & Alex and an opportunity to buy a signed copy of the book.

Wednesday 11 June 6:30pm at Ocean Leisure Cameras near Embankment Tube station. “Winning Images” book launch – additional details

Best wishes to you, my dear friends

Paul

Winning Images with Any Underwater Camera

Winning Images with Any Underwater Camera

Share Button

Launch minus 3 – the saturated image market

The underwater photography market is saturated with images…how can our images stand out in this noise?  Reflections at 3 weeks to book launch

The underwater photography market is saturated with images…how can our images stand out in this noise?

The underwater photography market is saturated with images, which are now produced by the million every year.  There are lots of average pictures out there, but there is also an explosion of good images too.  How can our images stand out in this noise?

The book that I’m advocating has some answers. But I already anticipate a cry that the book market is equally saturated.  Or is it? Although I draw heavily on the existing body of knowledge, I seek to differentiate too, so the book “Winning Images” dives into some unexplored gaps in our knowledge of underwater photographic composition.

Our top-side photography cousins made more progress than divers with this.  We know the basics, I’m sure: negative space, the rule of thirds and so on, which are valid and worth developing.  But nobody has articulated 2 important things in its underwater context. Foremost is a detailed model for composition.  Not rules, but a structure for thinking more consistently about the issues. I’ve provided us with a starting point.  Next is consideration of the weight that we attribute to each of the different and sometimes competing composition concepts. The book deals with – and develops in detail – 8 concepts, but more critically an overarching theory of how they all fit together.

Although the independent first reviews of the book are not yet published, I do know that one notable critic already believes that this will become the bible for underwater photography composition.  So consider making a modest investment in something that I am confident will make you a better photographer.  Signed copies of the book for those who want it quickly are on sale now in the UK through this link.  But if you can wait, do join me and Alex Mustard at the book launch in London (details below); I extend an open invitation to everybody who is interested and will provide you with some wine, soft drinks, canapes and an opportunity to buy the book.

Wednesday 11 June 6:30pm at Ocean Leisure Cameras near Embankment Tube station. “Winning Images” book launch – additional details

all the best, my dear friends

Paul

Winning Images with Any Underwater Camera

Share Button

the press release is out & the office is full…

the office is full of books - only temporarily, I hope!

the office is full of books – only temporarily, I hope!

Well, the office is now piled high with copies of “Winning Images“, but only temporarily, I hope!  I’m delighted with the quality of the books from the main production run.  Initial sales of signed copies to UK-based friends are now under way through the web site and postage is free.  Here is the official press release.

The book will be on general release from 29th May, available through stores like Ocean Leisure Cameras and through Amazon.  And don’t forget the 11th June London launch at Ocean Leisure Cameras, starting at 6:30pm.  It’s an open invitation to all who are interested; enjoy a glass of wine or two on me!

best wishes, my dear friends,

Paul

Share Button

Joss Woolf (Chairman BSoUP) interviews Paul

Joss Woolf interviews Paul for the BSoUP magazine “in focus”; click the book image below to listen…

Winning Images with Any Underwater Camera

Winning Images with Any Underwater Camera

Share Button

First copy of the second book!

an exciting moment for any author - first book off the press

an exciting moment for any author – first book off the press

I think that it’s great when we can still feel a child-like excitement now & again.  Today was such an occasion when I met my publisher in Oxford and finally put hands on one of a few pre-production versions of the book, Winning Images with Any Underwater Camera. It’s such a great moment to see the hard work of over 2 years presented so professionally by the publisher. Thank you Alex Gibson!

Two copies of the book already went out to the UK dive magazines that will lead the initial book reviews and the other 2 copies are being used for publicity leading up to the book launch.

On that latter score, please do come along to the book launch if your schedule allows.  It is an open invitation to anybody who is interested in underwater photography generally and photographic composition specifically.  The event will start at 6:30 pm on Wednesday 11th June with drinks leading to a 7:30 pm opening address by Alex Mustard.  I’ll follow up with a short pitch about the book and my humble aspirations for it.  The venue will be Ocean Leisure Cameras, right next door to Embankment tube station.  I would just love to see you there!

Over the next few weeks I will run some articles here on why I hope that this book will be an important contribution to the body of knowledge about underwater photography.

all the best, Paul

Share Button

Ambiguous images

ambiguity?

ambiguity?

I had great fun photographing free divers recently and I particularly liked some of the images that were ambiguous. Why? Because they seemed to hold the attention of the viewer more strongly than regular images and so keep them engaged. When I showed these 2 images to the divers immediately after their free diving session, the pictures induced that important little word, ‘wow!’

I think that the silhouettes of the divers against Snell’s window look more like astronauts from the film ‘Gravity’, with our blue planet far below. I can even believe that the clouds look like a map of Africa and Asia!

I really like the way that images can play with our senses and this is an important part of composition. Something that I have been delighted to research and write about in my forthcoming book, Winning Images with Any Underwater Camera. The emphasis is most definitely on the word ‘any’. Because this will be a book for all underwater photographers from beginners with compact cameras to experienced SLR users and everybody in between.  Book launch 11th June!

best wishes to you all

Paul

Share Button

Once in a while…

montage Indonesia

Just once in a while, the possibility to do something special drops into our lives. Sometimes you have to be cautious and sometimes bold. My latest opportunity seemed to require a measure of both when I was asked whether I would consider teaching underwater photography to a high-profile but complete novice underwater photography client, who had heard that I had a reputation for good instruction regardless of camera system. But the prospect of setting up a major camera system, housing and teaching package for a client, despite an “all expenses included” tag is not for the faint-of-heart. Your reputation is on the line in a major way and, whilst you might cope with the occasional less-than-glowing review if you have hundreds of other positive accolades, it might take only one mistake with a high-profile client to completely ruin your reputation.  And the economics of 1-to-1 teaching are not as simple as you might think.

Nevertheless, a chance to travel to Indonesia and work on the very best live-aboard in the region was tempting enough for me to commit. I did so with a vengeance, seeking unequivocal success from the outset by over-delivering on every aspect of the commitment. I had hoped for more opportunities than those that actually transpired, to dive outside the instructional periods in order to build my own image stock.  But when a client is footing the complete bill, you work to a different drum beat. He was also learning to free dive and wanted me to capture that. And he had an appetite for knowledge of composition that allowed me to test the framework of that soon-to-be-published book, Winning Images with Any Underwater Camera.

So I took part in one of the most interesting diving adventures of my career, travelling in a style that so far I had only dreamed about. My 4 fellow travelers were the very finest company and the crew of 17, a ratio of over 3 crew members to each guest, provided absolutely exceptional service. I chose to wake at 0600 and retire at 2330 in order to squeeze the most out of almost 2 weeks in such a wonderful place on an amazing ship.  It was in many ways hard work and in others fabulously relaxing.

Normal discretion for client confidentiality prohibits me documenting too much (images included), but I have attached a few pictures of the trip and a link below to a short video & still image montage, which between them give a little taste of what what this venture was about.

I’m told by others, critically by my client, that this went well. I shall be very interested to see whether it leads to similar work…

And finally, serendipity: passing through Singapore on the way back home yesterday, my client passed a magazine stand and opened a copy of Sport Diver US, where he found an article by Paul Colley about mastering light in underwater photography.  It was one of 10 articles for a column that I’m writing this year for that magazine (and the first time that I had seen any of the articles in hard copy).  My credibility (and my pride) soared.  Thank you Alex M for the associated earlier introduction to the picture editor!  I’m just loving writing my first column.

all best, Paul

Link to video montage

Share Button

Diving to photograph or photographing dives?

Southern Red Sea wrecks & marine life

Southern Red Sea wrecks & marine life

Whilst diving in the Southern Red Sea this week, I was reminded of the question that is the title of this blog: do we dive to take photographs or just photograph our dives?  The question was posed to me by Alex Mustard & Martin Edge at a great briefing they gave a few years ago in Imperial College London, when at the time I was trying to absorb as much as I could about underwater photography.  Last week, although I was teaching basic underwater photography to a group during the evenings and doing some individual photographic mentoring during the days, we were essentially on an expedition to dive wrecks and that drove the style and tempo of diving.  So much so, that on one dive I even left my camera behind in order to instruct and safely supervise a decompression dive onto a deep wreck.  We also dived 2 wrecks that I have never seen before, one of which very few people have seen and which we started to map in quite poor underwater visibility.  So I was often just photographing the dives, which is an inefficient and ineffective way of creating good images.

So the distinction implied in the title is important and I stressed it to my photography students.  But I also mused that a few years of dedicated photo workshops tends to improve your ability to make higher quality and quicker decisions about artistic intent and photographic technique, even if only photographing a dive that has priorities higher than photography.  Good snapshots are possible if you are well trained and prepared.

So I did not produce my best work this last week, but I had immense fun with a fabulous group and made plenty of notes that will inform later attempts to properly photograph some amazing wrecks.  Meanwhile, enjoy a couple of snaps that I did manage to capture…

all the best, Paul

Share Button